Strong independent woman who doesn't need a man, but then ends up finding a man and all of her other passions are put to the side to focus on him.
It is never considered that they might actually say "Yes, let's give it a go."
The pursuer - a character who is comic relief in the sense that they are in love with our protagonist but because they are an awkward or horrible loser, they will never be with protagonist and is just another obstacle for themīeing secretly in love with someone who is also single, but it's just so gosh darn hard to tell someone your feelings because they might reject you. The ex trying to win the protagonist back Singing into inanimate objects (usually a hairbrush) like it is a microphone People clapping when the two romantic leads kiss Side or minor characters having a weddingĪirport chase as the love interest is about to fly away from them forever Meets love interest, hates love interest, then falls in love with love interest just as it appears impossible for them to be together We never actually see what the two people are like as a couple, the film just wants us to understand that they will be infinitely happy together The colour pink appearing prominently throughoutĬouple finally gets together at the end, but then cut to 'Some time later.' where they are getting married or are already married. The quirky female best friend being in a relationship that is actually more healthy than the protagonist's relationship The quirky (female) best friend/sister of protagonist Only talking with friends about the opposite sex and relationships, never about interests in their lives that make them unique human beings Protagonist and friends shrieking loudly every time they see each other The more numbers that are listed, the more cliche the film is: With each film I review, I record the numbers on this list that accompany each cliche that occurs in it. This is a list of cliches I have found to frequently occur in chick flick films (which I hope to add to in time as I develop this blog).
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